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Evanston Symphony Orchestra

Lawrence Eckerling, Music Director

Announcing Our 2026–2027 Season

For The Love of Music

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Save up to $50 and get the best seats

Celebrating Beethoven’s Brilliance
Great Romantics
Saint-Saëns Organ Symphony
A Mass for Peace

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October 18, 2026

Celebrating Beethoven’s Brilliance

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February 14, 2027

Great Romantics

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April 4, 2027

Saint-Saëns Organ Symphony

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May 23, 2027

A Mass for Peace

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Musical Insights

Free Pre-Concert Preview Series!

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Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.

Merion’s Crystal Ballroom

529 Davis St, Evanston.
FREE and open to the public.

Please RSVP to 847-570-7815.

Light refreshments will be served and casual tours of apartments will be available after the program.

Latest News

Evanston Symphony Orchestra offering special holiday show for people with special needs, by Chris Gillock

Dec. 14 performance will welcome those who vocalize, move and have different ways of experiencing music

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So Long, John Russell—and Thanks!

Retired ESO timpanist John F. Russell was born in ­Gloucester, England. His parents worked in a nursing home there ­until an American relative in Cicero offered his father work and housing.

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June 2025 concert videos

Please enjoy these wonderful videos from our June concert. 

Ko-Eun Yi playing Ravel's Piano Concerto in G Major.

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The Return of the Tap Dancing Reindeer

Everyone’s favorite tap-dancing reindeer from the Evanston Dance Ensemble (EDE) return to join the Evanston Symphony Orchestra performing Rudolph the Red-Nosed Reindeer, but that’s not all!

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Holiday Concert Features Symphonic Splendor

What better way to ring in the concert and the season than with James M.

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First Impressions Are Not Always Correct

Before the premiere of Symphony No. 4 in October 1885, Brahms played the piece for some close friends and critics on the piano. Their reactions were far from positive and encouraged the composer to make significant changes to the piece.

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